| Tony Lee | |
|---|---|
| Born | 23 July 1934 |
| Died | 9 March 2004 |
| Genres | Jazz |
| Occupations | Musician |
| Instruments | Piano |
| Associated acts | Phil Seamen, The Tony Lee Trio |
Tony Lee (born Anthony Leedham Lee, 23 July 1934 in Whitechapel, London, died 9 March 2004) was a British jazz pianist who played with the likes of Tommy Whittle, Tom Jones, Dusty Springfield, Barney Kessel, Sonny Stitt, Eddie “Lockjaw” Davis, Terry Smith, Tubby Hayes, Dick Morrissey and legendary UK drummer Phil Seamen.
He appeared on at least two recordings with Seamen - Phil Seamen Now! . . . Live! (1968) and on Phil Seamen Meets Eddie Gomez (1968), a live recording featuring US bassist Eddie Gomez. His solo debut, Electric Piano (1971), earned many comparisons to the works of Burt Bacharach. He made at least four other LPs, including Tony Lee Trio (British Jazz Artists Vol. 1), probably the quintessential album of his career (1976), Street of Dreams (1979), Hey There (1992) and The Tony Lee Trio Live at the Station (2002), prior to his death from cancer in 2004.
He had a long-lasting association of some 40 years with bassist Tony Archer in the Tony Lee Trio. Lee and Archer also played together in the sextet The Best of British Jazz formed in the early 1970s with Jack Parnell (drums), Kenny Baker (trumpet), Don Lusher (trombone) and Betty Smith (tenor sax). The sextet recorded two albums - The Best of British Jazz and The Very Best of British Jazz.
Despite his sketchy knowledge of musical theory, he was a complete master of his instrument, and blessed with large hands, (he could stretch an 11th with ease), his solos ranged from effortless large block chords to delicate single note figures, all played in a lyrical style, and swinging like a garden gate. He was arguably the greatest British exponent of the Erroll Garner piano style, though his playing embraced a much wider compass.
He learned the rudiments of the piano from his elder brother, who was self-taught and preferred to use the black keys rather than the white. As a consequence, he became fluent in keys such as G flat and B natural, before moving on to more standard keys, leaving him with the ability to transpose effortlessly his entire repertoire into any key. He played for many years at The Bull's Head in Barnes, South West London, a few miles from his home in Kingston-Upon-Thames, Surrey.[1]